Remember Cameron Crow’s movie “Almost famous” (it’s about an American high-school boy who was commissioned by Rolling Stone magazine to write a story about a rock band and accompany it on their concert tour)? Well, if the director decided to make the film’s sequel, he might give the main part to Ami Barwell, a music photographer from England. Just like the boy from the movie, Ami travels together with rock’n’roll bands, photographing musicians both on the stage and behind it.
Ami Barwell has been into photography for over 10 years, and all this time rock’n’roll is her main subject. In Ami’s own words, a good photograph should have feeling, depth, emotion. I think you will see that her photographs are just about that. You know, when I looked through Ami’s works on her website, a clear thought came to my mind – rock’n’roll is alive! Even though it may be a trite phrase, but it’s true to me. And hopefully, to you too. I don’t believe to Guns ad Roses who sing:”Whatever happened to sex drugs n’ rock n’ roll? Now we just have AIDS crack and techno” – it’s not that bad at all!
I hope you will agree with me after reading the exciting interview. Ami tells what it means to be a music photographer and her photographs tell what it means to be a rock-n-rolla. So enjoy your read and don’t forget to leave a comment!
Hi Ami, thanks for finding time to do an interview for our readers. How are you feeling today?
I’m feeling good thanks… it’s been a really busy few weeks – Last week I had a big album cover shoot and a photo-shoot at a recording studio, I’ve also been on tour with the Levellers doing a tour photo-documentary, and in the past few days photographed the New York Dolls and the Michael Monroe band. No rest for the wicked!
So, what grabbed you first – rock’n’roll or photography? :) Please tell us how you got started in the photography in general and in music photography, particularly?
I’d always carried a camera around with me, from as far back as I can remember – Photographing friends, family, loved-ones, travels; documenting my life I suppose. I’ve also always been a huge music lover and have grown up being surrounded by great music. My Dad used to be a folk musician and my Brother has always been in bands, so shooting the things and people I loved slowly progressed into rock ‘n’ roll photography. Going to gigs all the time and hanging out with bands, it was just natural to take my camera along and document it all.
You’ve been into the business for 10 years, photographing both rock gurus and young bands. With this experience what could you tell about the young-generation rock’n’rollas? Are they different (or better say differently crazy) from the elders?
I find that some younger, newer bands tend to be far more arrogant, selfish and egotistical than the well-respected rock gurus. It’s probably why many newer bands don’t seem to have that longevity, in my opinion, it’s the same as most things in life – you don’t really get anywhere by being an arsehole.
The Scare
The Cribs
Cage The Elephant
Black Rebel Motorcycle Club
What’s the best and the worst part of being a music photographer?
It’s not just a job it’s an adventure, I get to do what I absolutely love, get paid for it, and meet some amazing people along the way. I feel very lucky.
The worst part is going through a dry-spell, sometimes I can go months without a shoot… that’s financially tough and I also hate not working. It’s can also be highly stressful at times and ridiculously long hours.
I know it may be hard, but could you try to single out one or two pictures from your portfolio that you think are really special? What makes them memorable?
My Thom Yorke shot is special to me as I haven’t seen a photograph of him smiling before. Also my Black Rebel Motorcycle Club photo of the smoky guitar, that’s extremely special as I toured with them for so long and it completely sums up the whole feel, sound, mood and atmosphere of a really great band. It was also taken on a very eventful, emotional and generally pretty messed-up day… the fact that that roll of film even survived, is a miracle in itself!
Thom Yorke
Black Rebel Motorcycle Club
Tours of rock’n’roll bands are something people make legends about. How often does your job take you to tours with the band? Do you just watch and capture or does this crazy whirl take you in?
My job is to watch and capture, but of course I get into the whole whirl of it. Spending weeks on a tour bus, waking up and going straight to the pub, living in such close proximity, you can’t really avoid it. I love going on tours with bands, it’s great fun and the more time I spend with a band, the more I get to know them, the more they trust me, the better the photographs I get.
Lenny Kravitz
Steve Vai ←→The Darkness
The White Stripes ←→ R.E.M.
Graham Coxon
Hannoi Rocks ←→ Iggy Pop
Foo Fighters
The Hives ←→ Yeah Yeah Yeahs
Robert - Black Rebel Motorcycle Club
When, in your opinion, does a photograph become art?
A photograph is art when it has feeling, depth, when it makes one think, when it is more than just a ‘snap’. When editing my work I look at each photograph and think “does it stand out on it’s own?”, if the answer is “no” then for me, it’s not good enough. I’m an extreme perfectionist with my work.
On the way to a great picture, what place does equipment take? What gear do you personally use?
Equipment isn’t such an important part, it’s more about knowing how to use your equipment and knowing what result you’re looking for. I’m strictly a film user, I hate digital photos with a passion – to me, digital cameras have killed a huge part of photography and taken away it’s art form. I use an old 1960’s manual 35mm with many different lenses, depending on the shoot.
Daniel - Cage The Elephant
John ←→ Jon
Peter (Black Rebel Motorcycle Club) ←→ Karima Francis
Michael Shenker ←→ Jay
Joey Tempest ←→ Alex (Everything Everything)
Z ←→ Archie
Tom - The Editors
Bobby Harlow describes you as the only artist who managed to recognize and capture his complicated personality. Is your ability to find the bond with the subject an inborn feature or maybe a result of studying psychology? I wonder if it’s difficult emotionally to work with creative people on that level?
No, I didn’t study psychology! I get on with most people, I’m a nice person and have a twisted sense of humour. I get on so well with musicians and creative people as we tend to think the same and have the same interests, lifestyles and passions. I’m actually quite shy and think I intrigue a lot of people.
Brisa Roche
Abi - The Zutons
Didz - The Cooper Temple Clause
Ian Brown
Ginger
Fish
Todd
Karima Francis
One of your recent initiatives is a fashion line. Do you have any other creative outlets? Maybe there is a completely different field you’d like to take up?
I play the guitar and drums, sometimes I think I’d like to be in a band but I’m probably far too shy, which may be why I hide behind my camera!
If you could rent a time machine and an invisibility coat for one day, what would you choose? (of course, you can take your camera with you) How would you use it?
I’d visit an early 1900’s death row American prison and photograph the inmates – the pain, remorse, hatred, romance, sadistic nastiness – everything in their eyes.
Do you think beginners should look up to those who established their names in the trade? If so, what would you advise to those who make their first steps in photography?
No, I say just follow your heart, be passionate, find your own style and techniques and most importantly – don’t listen to anyone else.
Don’t miss a chance to get to know more about the art of Ami Barwell: